Stories - Life Stories
Stories 545 Interviews 31
Our stories are about how people make sense of their own lives, how they can shed light on our lives, and how we are connected to one another, to history, and to the larger human story.
Parenting style and desire to build trust with her children
Genet's influence and discovering transgressive literature in Catholic high school
MacArthur's approach to being photographed in the field versus posing
Gordon Parks on the camera as a more powerful weapon than a gun
Childhood admiration for Life magazine and path to becoming a staff photographer
Documenting war and unrest as a photojournalist reporting on the times
Returning to Libya after capture to confront fears and maintain connections
Memories of Jonas Mekas' energy and optimism shortly before his death
Gordon Parks's "Half Past Autumn" as a roadmap for photography and storytelling
Balancing family life with a demanding creative career
“Think about what you have done and try to leave this world a little bit better than you found it. That's all there is. You don't have to be a genius. You don't have to be anything. Just leave it a little bit better.”
Tova Friedman
Reflecting on creative versatility and the making of "Change le Beat"
Parks' interdisciplinary approach and deep collaboration with photographic subjects
Donating personal theater materials to inspire future generations
Breadth of the library's collections across performing arts disciplines
Mother's background, family history, and how her parents met
Early encounters with avant-garde cinema as a new visual language
Identifying as an artist-architect and her father's influence on her thinking
First hours of captivity during the Libyan conflict and finding moments of connection
Freelance photography philosophy and working relationship with Life Magazine
Gordon Parks' early life, family background, and formative experiences with racism and violence